Olga V. Solovieva’s work brings into dialogue texts and concepts from numerous disciplines, including literature, film, religious studies, art history, philosophy and law. She is interested in what can "be done with words": this leads her to focus on the history of rhetoric, performance, communication, interdisciplinary narratology, and media studies, particularly in their material and corporeal aspects. Her first book, Christ’s Subversive Body: Practices of Religious Rhetoric in Culture and Politics (Northwestern University Press, 2017), is dedicated to the diachronic and interdisciplinary methodology of comparison. It examines the rhetorical usages and the epistemological basis that the religious notion of Christ’s body has offered for alternative or subversive social and medial constructs at some critical junctures in the history of Western civilization. Her current book projects, The Russian Kurosawa and Thomas Mann’s Russia, examine the political, philosophical and mediating function of the reception of Russian literature in East and West. Before joining the faculty of Comparative Literature, she was a Postdoctoral Scholar in the Committee on Social Thought.