CFPs and Conferences

The Association of Central Eurasian Students at Indiana University is now requesting submissions for our annual conference. We are accepting abstracts for approximately 20-minute paper presentations on topics related to Central Eurasia. There are no regional or temporal restrictions on topics, and papers from all disciplinary backgrounds are welcome. Submissions can include but are not limited to topics on the Afghan, Balto-Finnic, Hungarian, Mongolic, Persian, Tibetan, Tungusic, and Turkic peoples, languages, cultures, and states.

Deadline: November 20, 2020

The Twentieth Annual Czech and Slovak Studies Workshop will be held virtually at the University of Pittsburgh on March 18-21, 2021. The program committee welcomes proposals for papers on Czech and Slovak topics, broadly defined, in all disciplines. In the past, the areas of interest have been: anthropology, architecture, art, economics, education, film, geography, history, Jewish studies, linguistics, literature, music, philosophy, politics, religion, society, sociology, and theater.

Due: January 8, 2021

In a 1947 article titled “Byzantine Art and Scholarship in America,” Kurt Weitzmann examined the history of collecting Byzantine art in the United States. “…The combination of formal beauty and material splendor, coupled with great technical perfection and an aristocratic spirit which gives to even the smallest object a rare distinction…” renders these works particularly attractive to private collectors, wrote Weitzmann. Our conference takes this statement as a starting point and focuses on the history of collecting Christian Orthodox objects in the West from the nineteenth century to the present: a topic replete with spectacular objects, profound questions and captivating narratives. This international conference, organized and sponsored by the Museum of Russian Icons in Clinton, MA (USA), considers why, how, where, and by whom these objects have been and continue to be acquired. Once obtained, how are they classified, conserved, displayed, and described? How and by whom is their value, whether symbolic or monetary, determined? What is the relationship between their original purpose and the newfound one?

Deadline: November 9, 2020

 

Topics for submission include but are not limited to

– cultural recycling of socialist art heritage (literature, cinema, theatre, music, painting, sculpture, architecture, etc.);
– cultural recycling as an ideological and political instrument;
– retro-culture and new media technologies (innovations in video- and audio technologies, cable television,  the Internet);
– the Soviet past for sale: recycling and marketing;
– re-utilisation of the Soviet heritage from the perspective of poetics, narratology, memory studies, trauma studies, nostalgia studies, cultural trash studies, etc. 

Deadline: January 20, 2021

Graduate students from all departments are invited to submit written and artistic work to Lights, the official journal of the University of Chicago’s Middle Eastern Studies Student Association. Please submit papers of 20 pages or fewer in an editable format. 

Due: November 15, 2020

Currently, we are seeking submissions focusing on Yiddish, Belarussian, Polish, Slovak, Czech, Hungarian, and Romanian cultures, which aim to address how horror is manufactured, distributed, and manipulated through film, literature, music, music videos, video games, visual art, and diverse new media. We welcome paper proposals focusing on historical specters as well as those haunting the region today – nationalisms, ethnocentricity, racism, sexism, homo/transphobia, and others.  

Due: October 31, 2020 

 

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